There are numerous hidden design decisions that go into what you see on screen.

I first did "anatomies", or, design breakdowns, for Joss Whedon (director) on Avengers for the Iron Man HUDs, since he was fascinated by all the suit functions.

But it actually served to get us all on the same page.

Production moves fast, so having clear language on what's a Reticle, Diagnostic, or Radar widget helps the editors, producers and directors all communicate more efficiently.

These tend to be favorites amongst directors and visual effects supervisors, so I've created them on every film since.

Below you might note that the 'window borders' are the spider legs from the film's Spidey logo.

Or that the old-school camera viewfinder on the lower right is a nod to Peter Parker being a Daily Bugle photographer in the comics and cartoons.